• Home
  • Film Classes
  • Short Films
    • Love is a function of Death
    • usa.DT
    • Banality of Evil
    • 2 Yahoos and a bottle of Rum
    • The Here Between
    • Pale Side of Darkness
    • The Restroom
    • MetA-Romantic
  • Photography
    • 21 Final Candidates for the 7 Wonders of the World >
      • Pyramids of Giza
      • Chichen Itza
      • Machu Picchu
      • Roman Colosseum
      • Neuschwanstein Castle
      • Statue of Liberty
      • Stonehenge
      • Hagia Sophia
      • Acropolis
      • Eiffel Tower
      • Alhambra
      • Christ Redeemer
    • 7 Natural Wonders of the World >
      • Paricutin Volcano
      • Grand Canyon
      • Northern Lights
      • The Harbor of Rio de Janeiro
      • Iguazu Falls
    • Natural Wonders of the U.S.A >
      • The Wave
      • The Racetrack
      • Yellowstone
      • Slot Canyons and more
      • Arches National Park
      • Bryce Canyon
      • Carlsbad Caverns
      • Badlands National Park
      • Canyonlands
    • Abandoned Places
    • Nature +
    • Faces
    • Interesting Places in USA
    • Interesting Places in Europe
  • Film Blog
    • Film Theory >
      • Women in Film Noir
      • Why do we have movie theaters?
      • Film Noir-Movement or Genre
      • How to understand box-office figures
    • Classic Films >
      • Touch of Evil
      • Citizen Kane - Overview
      • Citizen Kane - Firing of Leland
      • Citizen Kane - Declaration of Principles
      • I Am Cuba
      • Grand Illusion
      • Numbers and Language in "A Clockwork Orange"
      • JFK
      • Tout va b!en
      • Rear Window
      • "Vertigo" versus "A Man Escaped"
      • Meaning of 2001: A Space Odyssey
      • The Treasure of the Sierra Madre
      • Network
      • Casablanca
    • Recent Films >
      • "The Matrix," freedom and Alice in Wonderland
      • Sweet and Lowdown
      • Taxi Driver
      • The Weather Underground
      • Lone Star
      • Cotton Club
      • From "Gimme Shelter" to "Spinal Tap"
      • Eternal Sunshine of the Spotless Mind
      • Requiem for a Dream
      • The Elephant Man
      • Crouching Tiger, Hidden Dragon
      • Natural Born Killers
    • 21 Century >
      • Gravity
      • Blue is the warmest color
      • Spike Lee and the missing link in his "essential films" list
      • Kon-Tiki
      • The Place Beyond the Pines
      • Searching for Sugar Man
      • Killing them Softly
      • Silver Linings Playbook
      • Drive
      • Midnight in Paris
  • Best Films
    • The Best Films Ever Made
    • Best Noir Films
    • Best Neo-Noir Films
    • Best Comedy Films
    • Best Documentary Films
    • Best Western Films
    • Best Animation Films
    • Best Cinematography
    • Best Science-Fiction films
    • Best Screenwriters
    • Amazing Films
    • Best Film Directors
    • Best Experimental Films
    • Film Genres >
      • Gangster Films
      • Western Films
      • Science Fiction (Sci-Fi) Films
      • Woman's Film
      • Comedy Films
      • Nonfiction Films
      • Animated Films
      • Experimental Films
    • The Motion Picture Production Code
    • Film Quotes
  • Orson Welles
    • Rare pictures from "Citizen Kane"
    • Rare pictures from "The Magnificent Ambersons"
    • Rare Orson Welles pictures, awards and drawings
    • Rare pictures from "The Stranger," "Lady from Shanghai," "Hearts of Darkness," "It's all True," "Macbeth," and "Othello"
    • Rare pictures from Orson Welles Magic Show, Radio career and Theater productions
  • Cinema History
  • Contact
ilianFilm
ilianFIlm

Blue is the warmest color

12/3/2013

0 Comments

 
Picture
If "We all experience pleasure differently" and "Everything is tragedy, or ends in tragedy" then what's left? 
What is left is "Infinite tenderness" and sensuality" That describes Blue is the Warmest Color.
Yes, I know, it has a 10 minute long lesbian scene and a few other scenes that are provocative in nature, but the film also has a sexual tenderness that is seldom seen in teen relationships. The question is, why are we provoked?

The film portrays a coming of age story of Adele, who is attracted to women but resorts to boys when she feels alone and left behind. Is that fact so shocking that we must label the film provocative? And if it is why? - why is it hard to believe that our sexuality and orientation can change with age, that it may be fluid? Our beliefs change, our morals change, and our value system can change, if we are placed in the proper environment. Then why is it hard to believe that sexuality can also change?
I will tell you why - because change is scary and everything that is foreign to us is either "stupid" or a treat to our system/beliefs ext. 
To put it in perspective, Plato talked about women being equal to men and proposed that they are given the right to vote and take public and state positions. That's Plato I'm talking about, 4th century BC. It took us some 2000 years to realize that he was right. We just started talking about gay/lesbian rights and equality among same sex marriages. I hope it doesn't take us another 2000 years to make it right. That thought alone can make you feel "blue." But the film takes another view of the color spectrum. 

"Blue" is a way of experiencing life, it's a way of learning, learning about us and learning to experience our mistakes. First we see Emma being "blue." She has blue hair and she is looking for something (warmth?) They meet in the park and sit on a blue bench. After Emma leaves and we stay with Adele to absorb the excitement in her, Kechiche cuts to a wide shot. We see the bench enveloped in a pink-colored-spring-ready-cherry tree. Spring symbolizes rebirth and new beginnings and we are thrilled for the romance to take its next step. On the other hand, if we keep with the color pallet of the film and see pink as a shade of red, then we know that tragedy hoovers over and above us.

We end with Adele wearing a blue dress, meaning blue is all over her. She is not only hurt and sorry for what she did, but more than ever ready not to make the same mistake again. If blue is the warmest color then what is the coolest color?
According to Abdellatif Kechiche it's red. After the party scene in Emma's house when Adele for the first time sees Lise and sparks of jealousy are protruding in her eyes, red is what gets in the way. I'm talking about Emma refusing to have sex with Adele because her period has come. Subtle but very poignant. During the same scene Adele is several times compared to and juxtaposed with Louise Brooks' character Lulu in "Pandora's box." The later classic by G.W. Pabst is about the rise and fall of naive young woman, whose erotism inspires violence in those around them. Lulu and Adele are close to each other in the magnificent sexuality and sensuality they project. After "red" gets in the way it is downhill from there for Adele. Downhill that culminates in the gallery scene. Here Adele wears  a blue dress, thus she is engulfed in the warmest color. Except in her situation she is thriving to get that warmth back. What gets in the way? - you guessed it. Emma is very much in love with Lise and she is wearing a red shirt to show it. 


4 / 5

Director: Abdellatif Kechiche 
Staring: Lea Seydoux, Adele Exarchopoulos

0 Comments

    Categories

    All

    RSS Feed

Photography
Film Canon
Contact

All materials Copyright © 2022 ilianFIlm - All rights reserved.
No commercial reproduction, adaptation, distribution or transmission of any part or parts of this website or any
information contained therein by any means whatsoever is permitted without prior written permission.



© 2022 ilianFilm.com All Rights Reserved